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John has joked with Q that he is yet to find any upsides to being a solo artist.
Speaking in a Q25 video interview to mark his appearance on the cover of our special 25th anniversary issue, Q304, which is out now, the former Oasis leader.
The Chief declares in the video interview you can watch above: “It’s more of a pain in the arse [being solo] to be honest. Everything is on you isn’t it? It’s a lot more peaceful but it can be a lot more solitary, I don’t mind that. I enjoyed making the record on my own, that was kind of easy… but the hard bit is starting on Monday when I to rehearse with the band and all that.
“I wouldn’t say I’m really pumped in the air kind, like I fucking can’t wait. If someone was to call me now and say we should call this off this has been a huge mistake, I’d go Yep, OK, lets fucking go… but you know you can’t. I guess ill grow in to it. I hope I do.”
Watch the full interview now, which also includes details on The Chief‘s debut solo , his collaboration with Amorphous Androgynous which will be released next summer, the release of ‘lost’ Oasis track Stop The Clocks, his opinions on the Olympics and who he thinks the most influential artist of the last 25 years is (give you a clue, he was in Oasis…)

Jason Davenport is a seasoned media professional with over two decades of experience in the fields of broadcasting, audio/video production, and media consulting. Based in Montgomery, Alabama, Jason is the owner of Deep South Media, where he specializes in providing innovative solutions for clients, including podcasting, blogging, web design, and social media management.
Written by: Jason Davenport
Get ready to check your vibes! This show is all about the songs that are setting the mood and making waves in the commercial music scene. From feel-good tracks to emotional ballads, we play it all—plus, listener shoutouts and requests.
closeGet ready to check your vibes! This show is all about the songs that are setting the mood and making waves in the commercial music scene. From feel-good tracks to emotional ballads, we play it all—plus, listener shoutouts and requests.
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